Archive for December, 2010

Ethnography of the Online/Offline Continuum: An Introductory Review (MSTU 4020 – Final)

Thursday, December 16th, 2010

Abstract

Ethnographers researching social practices and interactive communication within computer and non-computer mediated environments face various challenges in the field. That is to say, ethnographic research methods have been further complicated by the online/offline continuum. For this analysis, the online/offline continuum is defined as an interactive and communication phenomenon characterized by the distribution of identities and social practices that shift between computer and non-computer mediated environments. The following literature review is an introductory exploration into various theories and constructs that guide discussion about meaningful approaches to conducting ethnography of the online/offline continuum. Specifically, the following questions are addressed:

1) How can conceptions of space, place, and time help us to understand and approach researching the online/offline continuum?

2) How have scholars been reworking ethnographic research methods of the online/offline continuum?

3) What new constructs and forms of ethnography are emerging because of online/offline continuum?

4) What new formulations have emerged as a result of the literature reviewed?

Discussion

Based on literature presented, several new insights and formulations have emerged about ethnographies of the online/offline continuum.

First, emerging ethnographies of the online/offline phenomenon are characterized by connective methods, reflective approaches, experiential epistemologies, relational theories, and experimental practices.

Second, researchers must continually revisit interpretations of space, place, and time to further guide research of the online/offline continuum.

Third, ethnographers must formulate and rework definitions of the online/offline continuum and of alternative forms of ethnography to expand upon those mentioned here.

Fourth, ethnographers must continue to investigate social practices in relation to computer and non-computer-mediated environments.

Finally, researchers must be incline to consider the “cyberspace knowledge question” (Hakken p. 182) to better understand pedagogical approaches and assessment practices in relation to the online/offline continuum. The last formulation is also important to how we understand the influence of technologies on doing research (Wolf, 1992, p. 127) doing community, and seeing ourselves throughout the online/offline continuum.

Outline

Space, Place, & Time

  • Manuel Castells’ Space of Flows (1996)

Virtual Ethnography

  • Christine Hine (2000)

Reworking Ethnographic Research Methods

  • Christine Hine’s “connective ethnography” (2007)
  • danah boyd (2008)

Ethnography as Epistemology

  • David Hakken’s “knowledge question of cyberspace” (1999)

Emerging Constructs & Ethnographies

  • Johan Fornas, et. al “digital borderlands” (2002)
  • Robert Kozinet’s Netnography (2010)
  • Michael Wesch’s digital ethnography (2010)

Story Melodies Vol. 1: Coming of Age in the City

Monday, December 13th, 2010

Story Melodies Vol. 1: Coming of Age in the City from Media Make Change on Vimeo.

Story Melodies Vol. 1 is the first of a series of upcoming digital shorts. Coming of Age in the City highlights the stories of three individuals living in New York City. Their stories are weaved together by the sounds of some of the world’s most talented street and subway musicians.

I came up with the idea to begin a series of stories that read like the music we hear. I set out to explore and capture the paradox of sound and image, both of which asks us to consider, what does the image sound like and what does sound look like? Through the paradox we can find meaning.

Because of this project, I’ve been able to explore nearly every facet of my imagination. I’ve engaged with my favorite art forms, video and photography, and Ive discovered brilliant sounds of music along the way. After months of collecting sounds and images, I hope to have created a visual and audio work in concert.

I am sincerely thankful to all of the street and subway musicians I listened to along the way. A few listed below:

The Crowd (http://wearethecrowd.com)

Alex Lo Dico Ensemble (http://alexlodico.com)

Charlie Guitar (http://nyccharlie.com/)

Made Over (Youtube: bryken89)

The Meetles (http://meetles.com/)

If anything, through this project I learned that stories are the melody in the key of life. (Hat tip to Stevie Wonder ;-)

Enjoy.